Fredz

On October 27, 2026, at the Bataclan in Paris, Fredz returns on tour with a blend of rap, pop and hip‑hop that places singing and storytelling at the center. Self‑taught on guitar and first revealed by freestyles he posted as a teen between Longueuil and Montreal, he has shaped a personal writing style in which intimacy is offered without detour. On stage he alternates verses with a clear flow and sung choruses, guitar in hand, carried by supple productions that flirt as much with pop as with modern boom‑bap.

The setlist draws from his key projects: Personne ne touche le ciel, Astronaute and the more recent Demain il fera beau and On s’enverra des fleurs. You find his recurring images of sky and celestial bodies and his taste for inner travel, with themes that range from friendship to doubts, from suffocation to bursts of hope.

In terms of references, one can hear the francophone rap tradition—from Nekfeu to Orelsan—and the Quebec influence of Koriass, without erasing his melodic fingerprint.

After dates between Quebec and Europe, including La Cigale and then the Olympia, Fredz settles in at the Bataclan for a live show conceived as a narrative thread: introspective pieces, more direct songs, the guitar making its entrance, and that way of storytelling that holds the audience.