Eleine

Eleine lands at Slaughter Club in Paderno Dugnano, Italy on 26 October 2026. Formed in southern Sweden and built around vocalist Madeleine Liljestam and guitarist/harsh vocalist Rikard Ekberg, the band shapes a symphonic metal sound shaded by gothic atmospheres, where clean lines and growls trade places over dark orchestration and heavy riffs. On stage, Eleine plays with contrast: sweeping layers against tight chugs, melodic hooks cut by sharp rhythmic hits, and guitar leads that thread through dense arrangements without losing clarity.

The set draws across their catalogue, from the self-titled debut and Until the End to Dancing in Hell and We Shall Remain, with All Shall Burn often surfacing as a live highlight. The rhythm section keeps a firm low-end drive while the arrangements lean into a cinematic tone, letting tracks breathe before snapping back into heavier passages. Liljestam’s clear delivery anchors the melodies as Ekberg’s harsher counterpoints push the dynamics, moving from brooding mid-tempos to faster bursts. A brief stripped-back moment can nod to Acoustic in Hell before the band returns to denser textures. An evening focused on tension, release and precise interplay, true to Eleine’s balance of weight and melody.