Everglow

Formed under the South Korean agency Yuehua Entertainment, Everglow brings together six singers and dancers based in Seoul (E:U, Sihyeon, Mia, Onda, Aisha and Yiren) around a K‑pop aesthetic rooted in electropop, EDM and trap. Several members had already taken part in Korean audition shows before the official debut, anchoring the group in the local idol scene from the outset. The first release, the single album “Arrival of Everglow” (2019), established the project’s main contours with a mix of sung choruses, rap sections and tightly structured choreography. Later in 2019 the single album “Hush,” and then “Reminiscence” in 2020, continued this direction with a more assertive electronic sound. Everglow then expanded their discography with the mini‑album “−77.82X−78.29” (2020), the single album “Last Melody” (2021) and the mini‑album “Return of the Girl” the same year, refining a register dominated by synthetic basses, mid‑tempo rhythms and repetitive hooks designed for the stage. After a stretch without major releases, the mini‑album “All My Girls” (2023) relaunched Everglow’s recording activities, which alternate between TV promotions, concerts in South Korea and dates abroad.