Eiffel

On December 4, 2026, at the Cirque d’Hiver Bouglione in Paris, Eiffel, the rock project led by Romain Humeau, brings to the stage precise songwriting and songs that fit no mold. A singer, songwriter, multi-instrumentalist and producer, Humeau has shaped twelve albums in which rock energy meets sonic curiosity and careful attention to words. Influences circulate freely — from Bowie, the Pixies, Lennon–McCartney, XTC and Talking Heads to Bach, Brel, Beck, Vian, Coltrane and Depeche Mode — with echoes of rap, electronic music and Latin American, baroque or romantic traditions.

With nearly a thousand concerts across France, Belgium, Quebec and Switzerland, Eiffel plays up close and direct, sustained by the warm, conspiratorial bond that links the band to its audience, the Ahuris. Live, the songs gain depth: electric tensions, more spacious phrasing, melodic detours, guided by Humeau’s singular voice and arrangements that stand the test. A set that moves through a constantly evolving repertoire, true to the idea of a free, embodied rock, carried by a band without frills.