Féloche

Féloche arrives at Les Trois Baudets in Paris on 26 March 2026, performing solo for the first time. Mandolin slung over his shoulder, the French artist, nominated for the Victoires de la Musique in 2015, continues to shake up chanson by blending groove, catchy melodies and sonic bricolage. The author of Silbo and Darwin Was Right is using this date to unveil previously unheard tracks on stage, early glimpses of an album expected during 2026.

These days, Féloche has been showing a more spiritual streak, without losing his sense of play. Between introspection and mischief, he is refining a direct songwriting style, carried by a voice that addresses the audience directly and without artifice.

The winter of 2024 took him to India, on the advice of percussionist Mosin Kawa. That trip rekindled the essentials of his music: the springy offbeats, the ding-gui-ling of his mandolin, and that now-signature call, “Hey, you!”, launched like a rallying cry. On stage, the stripped-down setup puts rhythm front and center, with loops that feel as much like a travelogue as a laboratory.

In concert, Féloche favors direct confrontation. A pared-back, lively set where each track seeks the right vibration and allows for surprise. A pivotal moment, to be heard here and now.