Gracie Abrams

Gracie Abrams took over the Accor Arena in Paris on April 12, 2027, for a show that put her intimate pop front and center. Carried by direct songwriting and melodies that cling to the skin, she unfurled on stage the blend of folk-pop and indie pop that defines her, between hushed guitars, piano and minimalist production. The milestones of her journey are all there, from the early days of Minor and “I Miss You, I’m Sorry” to the tracks from Good Riddance and then The Secret of Us, where her writing opens up without losing its precision. “Hit the Wall” also found its place in the setlist, alongside recent songs linked to Daughter from Hell, conceived with Aaron Dessner, creating a balance between confessions and hooks that stick in the mind.

In concert, Gracie Abrams favors closeness: a voice up close, deliberate nuances, understated climaxes that let emotion take precedence over effects. The band supports without overstating, between arpeggios, electronic touches and restrained dynamics that allow the songs to breathe. At the Accor Arena, this aesthetic gained another magnitude without losing its directness, producing a moment where the lyrics take shape and each song sounded like a journal entry you want to sing along with her.