Pablo Mira cherche encore le titre de son spectacle

Pablo Mira is still looking for the title of his show, but he knows where he’s headed: straight for what annoys him. The comedian arrives at the Théâtre de Champagne in Troyes on April 2, 2027, with a third one-man show in which he scrutinizes those small everyday things that drive him crazy, to the point of sending him to an overpriced therapist. He unspools this thread of exasperation with a sharp eye, dwelling on the details that gum up our days and tracing them back to larger social trends that escape him, even while claiming to be highly gifted (HPI). Between micro-obsessions and major topics, he plays it by ear, with a knack for observations that hit the mark without lingering.

On a more personal note, Pablo opens the door to his routines and contradictions, recounts how he manages to sabotage his own comfort, and embraces his neuroses without restraint. The tone stays direct, sometimes blunt, always clear-sighted—like a debriefing session where you tick off the boxes of our shared quirks. A show written in the present tense, somewhere between controlled confession and world observation, for an evening in which we recognize ourselves as much as we smile at our foibles.