Vianney

Vianney returns to the stage. After five years away from touring — spent writing for others, releasing a duets album and a nine-month retreat during which he built a shelter with his own hands — the singer-songwriter is back in his preferred format: alone, guitar slung over his shoulder. On March 11, 2028 at the Zénith de Toulon, he presents a stripped-down set that relies on intimacy, the lyrics and acoustic pop melodies. It contains what runs through Idées blanches, Vianney and N’attendons pas: flexible choruses, light rhythms, discreet loops and a direct delivery. Pas là and Je m’en vais are never far, alongside more recent tracks born from this pause away from the noise. On stage, Vianney favors the essentials: a voice, a guitar, sometimes a few effects, and a close exchange with the audience. This return expresses a renewed appetite for performing and a need for connection, without frills, with an emphasis on songwriting and the immediacy of live music.